Credits
Here are some of the films I have worked on. For more info check out my listings on the Internet Movie Database
-
- Film
- Hollywoodgate
- Director
- Ibrahim Nash'at
- Format
- documentary
- Job
- sound designer
- Year
- 2023
- Notes
- Venice, Telluride Filmfestivals
-
- Film
- Das Licht
- Director
- Tom Tykwer
- Company
- X-Filme
- Format
- feature
- Job
- sound designer
- Year
- 2024
Das Licht
In Production
D: Tom Tykwer -
- Film
- The Assessment
- Director
- Fleur Fortuné
- Company
- Augenschein/Number 9 Films
- Format
- Feature
- Job
- sound designer
- Year
- 2024
-
- Film
- September 5
- Director
- Tim Fehlbaum
- Company
- Berghaus-Wöbke
- Format
- Feature
- Job
- sound designer
- Year
- 2024
-
- Film
- Perfect Days
- Director
- Wim Wenders
- Format
- feature
- Job
- sound designer
- Year
- 2023
- Notes
- Cannes competition 2023
-
- Film
- All Quiet on the Western Front
- Director
- Edward Berger
- Company
- Netflix
- Format
- feature, Dolby Atmos
- Job
- sound designer
- Year
- 2023
- Notes
- Oscar Nomination 2023 Best Sound
-
- Film
- All Quiet on the Western Front
- Director
- Edward Berger
- Company
- Netflix
- Format
- feature, Dolby Atmos
- Job
- sound designer
- Year
- 2023
- Notes
- BAFTA 2023 Best Sound
-
- Film
- All Quiet on the Western Front
- Director
- Edward Berger
- Company
- Netflix
- Format
- feature, Dolby Atmos
- Job
- sound designer
- Year
- 2023
- Notes
- MPSE Golden Reel Award 2023
-
- Film
- All Quiet on the Western Front
- Director
- Edward Berger
- Company
- Netflix
- Format
- feature, Dolby Atmos
- Job
- sound designer
- Year
- 2023
- Notes
- AMPS 2023 Award
-
- Film
- All Quiet on the Western Front
- Director
- Edward Berger
- Company
- Netflix
- Format
- feature, Dolby Atmos
- Job
- sound designer
- Year
- 2023
- Notes
- Variety Artisan Award 2023 Best Sound
-
- Film
- Babylon Berlin S04
- Director
- Tykwer, Handloegten, von Borries
- Company
- X-Filme, Sky
- Format
- Series
- Job
- Supervising Sound Editor & Sound Designer
- Year
- 2022
-
- Film
- All Quiet On the Western Front
- Director
- Edward Berger
- Company
- Netflix
- Format
- feature, Dolby Atmos
- Job
- Supervising Sound Editor & Sound Designer
- Year
- 2022
-
- Film
- The Matrix Resurrections
- Director
- Lana Wachowski
- Company
- Warner Bros.
- Format
- feature
- Job
- Foley Supervisor
- Year
- 2021
-
- Film
- Gunpowder Milkshake
- Director
- Navot Papushado
- Company
- StudioCanal / STX
- Format
- Feature Dolby Atmos
- Job
- supervising sound editor & sound designer
- Year
- 2021
-
- Film
- Tides
- Director
- Tim Fehlbaum
- Company
- Berghaus Woebke
- Format
- feature, Dolby Atmos
- Job
- sound designer
- Year
- 2020
-
- Film
- Babylon Berlin Season 3
- Director
- T. Tykwer, A.v. Borries, H. Handloegten
- Company
- X-Filme, Sky
- Format
- series, 5.1
- Job
- supervising sound editor & sound designer
- Year
- 2019
-
- Film
- Das Vorspiel (L'Audition)
- Director
- Ina Weisse
- Company
- Lupa Film
- Format
- feature, 5.1
- Job
- dialogue and adr editor (German language)
- Year
- 2019
-
- Film
- His House
- Director
- Remi Weekes
- Company
- New Regency
- Format
- feature
- Job
- supervising sound designer
- Year
- 2020
-
- Film
- Outlaw King
- Director
- David Mackenzie
- Company
- Netflix
- Format
- feature, Dolby Atmos
- Job
- supervising sound editor
- Year
- 2018
-
- Film
- Suspiria
- Director
- Luca Guadagnino
- Company
- Amazon, Frenesy
- Format
- Feature Dolby Atmos
- Job
- supervising sound designer
- Year
- 2018
- Notes
- Dolby Atmos
-
- Director
- Tom Tykwer, Achim v. Borries, Hendrik Handloegten
- Company
- X-Filme, Sky
- Format
- Series 5.1
- Job
- supervising sound editor & sound designer
- Year
- 2017
-
- Director
- Justin Kurzel
- Company
- New Regency
- Format
- feature, Dolby Atmos
- Job
- supervising sound editor
- Year
- 2016
-
- Director
- Douglas Gordon
- Company
- moneypenny/olddognewtricks
- Format
- documentary Dolby Atmos
- Job
- sound designer & re-recording mixer
- Year
- 2016
-
- Director
- Florian Gallenberger
- Company
- Majestic
- Format
- feature
- Job
- sound designer
- Year
- 2015
- Notes
- nominated for best sound design at German academy awards 2016
-
- Director
- Tom Tykwer
- Company
- X-Filme/Playtone
- Format
- feature
- Job
- supervising sound editor
- Year
- 2015
- Notes
- German Academy Award 2016 for best sound design
-
- Director
- Trevor Paglen
- Company
- n/a
- Format
- 4k Video and 5.1 art work
- Job
- sound designer
- Year
- 2015
- Notes
- art work
Installation work with Trevor Paglen
4k art work/video installation with 5.1 sound design
-
- Film
- MPSE Golden Reel Award nomination for Citizenfour
- Director
- Laura Poitras
- Job
- sound designer
- Year
- 2015
-
- Film
- CITIZENFOUR
- Director
- Laura Poitras
- Company
- Praxis Films
- Format
- documentary
- Job
- sound designer
- Year
- 2014
- Notes
- MPSE Golden Reel nomination & German Academy Nomination
-
- Film
- In the Heart of the Sea
- Director
- Ron Howard
- Company
- Warner Bros.
- Format
- feature, Dolby Atmos
- Job
- supervising sound designer
- Year
- 2014
-
- Film
- Rush BAFTA Nomination
- Director
- Ron Howard
- Company
- Imagine
- Format
- feature
- Job
- supervising sound editor
- Year
- 2014
-
- Film
- Miss Sixty
- Director
- Sigrid Hoerner
- Company
- Moneypenny/Bavaria
- Format
- Feature
- Job
- sound designer
- Year
- 2013
-
- Director
- Angela Schanelec
- Company
- Unafilm
- Format
- short
- Job
- sound designer for segment 'Princip, Text'
- Year
- 2013
Ponds de Sarajevo
segment ‘Princip, Text’
by Angela Shanelec -
- Film
- A Most Wanted Man
- Director
- Anton Corbijn
- Company
- Inkfactory/Potboiler/Amusement Park
- Format
- feature
- Job
- sound designer
- Year
- 2013
-
- Film
- Rush
- Director
- Ron Howard
- Company
- Rush Inc./Universal/Imagine
- Format
- feature
- Job
- supervising sound editor
- Year
- 2012
- Notes
- Nominated BAFTA, AMPS, Satellite award
-
- Film
- Cloud Atlas
- Director
- Tom Tykwer, A.+L. Wachowski
- Company
- Warner, X-Filme
- Format
- feature
- Job
- sound designer, supervising sound editor (nominated for best sound design at he German Film Awards 2013)
- Year
- 2012
-
- Film
- The Three Musketeers 3D
- Director
- Paul W.S. Anderson
- Company
- Constantin
- Format
- feature 3D
- Job
- sound effects editor
- Year
- 2011
-
- Film
- Hotel Lux
- Director
- Leander Haußmann
- Company
- Bavaria
- Format
- feature
- Job
- sound mixer
- Year
- 2010
-
- Film
- Lollipop Monster
- Director
- Ziska Riemann
- Company
- Network Movies
- Format
- feature
- Job
- sound designer
- Year
- 2011
-
- Film
- Drei
- Director
- Tom Tykwer
- Company
- X-Filme
- Format
- feature
- Job
- supervising sound editor, nominated for best sound design German Film Academy 2011
- Year
- 2010
-
- Film
- Glückliche Fügung
- Director
- Isabelle Stever
- Company
- moneypenny filmproduktion
- Format
- feature
- Job
- sound designer
- Year
- 2009
-
- Film
- Orly
- Director
- Angela Schanelec
- Company
- Nachmittagfilm, La Vie Est Belle Films, Ringel Filmproduktion
- Format
- feature
- Job
- sound designer
- Year
- 2010
-
- Film
- Spur der Bären
- Director
- Hans-Christoph Blumenberg & Alfred Holighaus
- Company
- zero fiction
- Format
- documentary
- Job
- sound mixer
- Year
- 2010
-
- Film
- Uranberg
- Director
- Dror Zahavi
- Company
- Saxonia-Media
- Format
- feature
- Job
- sound designer
- Year
- 2010
-
- Film
- Villalobos
- Director
- Romuald Karmakar
- Company
- Pantera Film
- Format
- documentary
- Job
- elastic time music editing and consulting
- Year
- 2009
-
- Film
- The Invisible Frame
- Director
- Cynthia Beatt
- Company
- Filmgalerie 451
- Format
- documentary with Tilda Swinton
- Job
- sound mixer
- Year
- 2009
-
- Film
- The Ghost (Cannes Promo-Reel)
- Director
- Roman Polanski
- Company
- RP-Films
- Format
- Trailer
- Job
- sound designer, re-recording mixer
- Year
- 2009
-
- Film
- Maria, ihm schmeckt's nicht!
- Director
- Neele Vollmar
- Company
- Claussen Wöbke Putz Filmproduktion
- Format
- feature
- Job
- sound effects recordist (cars)
- Year
- 2009
-
- Film
- Chi L´ha Visto
- Director
- Claudia Rorarius
- Company
- Soquiet Filmproduktion
- Format
- feature
- Job
- sound designer, dialog editor, ADR recordist
- Year
- 2009
-
- Film
- Deutschland 09 (5 segments)
- Director
- W. Becker, N. Krebitz, I. Stever, A. Schanelec, T. Tykwer
- Company
- Herbstfilm
- Format
- feature
- Job
- sound design, supervising sound editor
- Year
- 2009
-
- Film
- Der Mensch im Ding (1 segment from "Nachrichten aus der ideologischen Antike")
- Director
- Tom Tykwer
- Company
- Alexander Kluge
- Format
- short
- Job
- sound design, re-recording mixer
- Year
- 2009
Der Mensch im Ding (1 segment from "Nachrichten aus der ideologischen Antike")
short by Tom Tykwer
-
- Film
- Mitte Ende August
- Director
- Sebastian Schipper
- Company
- Film1
- Format
- feature
- Job
- sound mixer, sound designer
- Year
- 2008
-
- Film
- The International
- Director
- Tom Tykwer
- Company
- Sony/Mosaic/Siebente Babelsberg
- Format
- feature
- Job
- supervising sound editor, sound designer
- Year
- 2008
-
- Film
- Der Baader Meinhof Komplex
- Director
- Uli Edel
- Company
- Constantin Film
- Format
- feature
- Job
- sound effects recordist (crowds) mpse golden reel nomination 2010
- Year
- 2008
-
- Film
- Going Against Fate
- Director
- Viviane Blumenschein
- Company
- Turnus Film AG, Zürich
- Format
- documentary
- Job
- sound designer
- Year
- 2008
-
- Film
- Red Baron
- Director
- Nikolai Müllerschön
- Company
- Niama Film
- Format
- feature
- Job
- sound effects recordist (planes)
- Year
- 2008
-
- Film
- Die drei Räuber
- Director
- Hayo Freitag
- Company
- Animation-X
- Format
- Animation
- Job
- Sound Designer, nominated for best sound design 2008
- Year
- 2007
-
- Film
- Love Comes Lately
- Director
- Jan Schütte
- Company
- Zero Fiction Film
- Format
- feature
- Job
- sound designer
- Year
- 2007
-
- Film
- Perfume - The Story of a Murderer
- Director
- Tom Tykwer
- Company
- Constantin
- Format
- feature
- Job
- Sound Design, Won German Academy Award for best Sound Design
- Year
- 2006
-
- Film
- Ein Freund von mir
- Director
- Sebastian Schipper
- Company
- X-Filme
- Format
- feature, Dolby Digital
- Job
- Sound Designer
- Year
- 2006
-
- Film
- Shooting Dogs
- Director
- Michael Caton-Jones
- Company
- BBC-Films/Egolitossell
- Format
- feature
- Job
- Sound Designer
- Year
- 2005
-
- Film
- One Day in Europe
- Director
- Hannes Stöhr
- Company
- Moneypenny Filmproduktion
- Format
- feature
- Job
- sound mixer, sound designer
- Year
- 2005
-
- Film
- Mouth to Mouth
- Director
- Alison Murray
- Company
- Egolitossell Film
- Format
- feature
- Job
- sound designer
- Year
- 2005
-
- Film
- D'Annunzios Höhle
- Director
- Heinz Emigholz
- Company
- Filmgalerie 451
- Format
- Documentary
- Job
- sound designer
- Year
- 2005
-
- Film
- Berlinale Score Competition
- Director
- jury: Walter Murch, Martin Steyer, David Holmes
- Company
- Berlin Film Festival
- Format
- Lecture/Workshop
- Job
- sound supervisor
- Year
- 2004
Berlinale Score Competition
with Walter Murch, Martin Steyer, David Holmes
-
- Film
- Kleinruppin Forever
- Director
- Carsten Fiebeler
- Company
- Akkord Film
- Format
- feature
- Job
- sound mixer, sound designer
- Year
- 2004
-
- Film
- Die Nacht singt ihre Lieder
- Director
- Romuald Karmakar
- Company
- Pantera-Film
- Format
- feature
- Job
- sound mixer
- Year
- 2004
-
- Film
- The Defender
- Director
- Dolph Lundgren
- Company
- Bauer Martinez Studios
- Format
- feature
- Job
- sound effects editor
- Year
- 2004
-
- Film
- 7 Brüder
- Director
- Sebastian Winkels
- Company
- Credo Film, ZDF
- Format
- feature
- Job
- sound mixer, re-recording mixer
- Year
- 2003
-
- Film
- September
- Director
- Max Färberböck
- Company
- Zero Film
- Format
- feature
- Job
- sound mixer, sound designer
- Year
- 2003
-
- Film
- Good Bye Lenin!
- Director
- Wolfgang Becker
- Company
- X-Filme
- Format
- feature
- Job
- foley editor
- Year
- 2003
-
- Film
- Pigs Will Fly
- Director
- Eoin Moore
- Company
- Moneypenny Filmproduktion
- Format
- feature
- Job
- sound mixer
- Year
- 2002
-
- Film
- Big Girls Don´t Cry
- Director
- Maria von Heland
- Company
- Columbia Pictures
- Format
- feature
- Job
- sound mixer, sound designer
- Year
- 2002
-
- Film
- Innen aussen Mongolei
- Director
- Sebastian Winkels
- Company
- Credo Film
- Format
- 35mm documentary
- Job
- re-recording mixer
- Year
- 2001
Innen aussen Mongolei
by Sebastian Winkels
-
- Film
- Mein Stern
- Director
- Valeska Grisebach
- Company
- ZDF, 3Sat, HFF
- Format
- feature
- Job
- re-recording mixer
- Year
- 2001
-
- Film
- Viktor Vogel - Commercial Man
- Director
- Lars Kraume
- Company
- Columbia Pictures
- Format
- feature
- Job
- sound designer
- Year
- 2001
-
- Film
- Equilibrium
- Director
- Kurt Wimmer
- Company
- Miramax
- Format
- 35mm/Dolby Digital, feature
- Job
- Sound Mixer
- Year
- 2000
-
- Film
- Sonnenallee
- Director
- Leander Haussmann
- Company
- Boje-Buck
- Format
- 35mm/Dolby SR, feature
- Job
- Sound Mixer & Sound Designer
- Year
- 2000
-
- Film
- Freunde
- Director
- Martin Eigler
- Company
- moneypenny
- Format
- 35mm/Dolby SR, feature
- Job
- Sound Mixer & Sound Designer
- Year
- 2000
-
- Film
- Fremde Freundin
- Director
- Anne Høegh Krohn
- Company
- Moneypenny Filmproduktion
- Format
- feature
- Job
- sound designer
- Year
- 2000
-
- Film
- The Great Grandson of the man who drank a cow
- Director
- Thomas Stiller
- Company
- Original Smelted Snowman Production
- Format
- documentary
- Job
- sound mixer, re-recording mixer
- Year
- 2000
The Great Grandson of the man who drank a cow
by Thomas Stiller
-
- Film
- Hidden Agenda
- Director
- Iain Peterson
- Company
- Le Monde Entertainment
- Format
- feature
- Job
- Sound Mixer
- Year
- 1999
-
- Film
- Schau mich nicht so böse an
- Director
- Michael Chauvistré
- Company
- Happy Endings Film
- Format
- documentary
- Job
- sound-mixer, re-recording mixer
- Year
- 1998
Schau mich nicht so böse an
By Michael Chauvistré
-
- Film
- Mammamia
- Director
- Sandra Nettelbeck
- Company
- Dom Film
- Format
- TV movie
- Job
- sound-mixer
- Year
- 1998
Mammamia
by Sandra Nettelbeck
-
- Film
- Bandagistenglück
- Director
- Maria Teresa Camoglio
- Company
- Lunafilm
- Format
- TV movie
- Job
- sound mixer
- Year
- 1997
Bandagistenglück
by Maria Teresa Camoglio
-
- Film
- Liebe Lügen
- Director
- Martin Walz
- Company
- Metropolis Film
- Format
- feature
- Job
- boom-operator
- Year
- 1997
Liebe Lügen
By Martin Walz